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Giovanni Bellini
The Doge Barbarigo, St John and Musician Angels (Detail)
1500
St Pietro di Murano, Venice
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Giovanni Bellini
Young Woman at her Toilet
1515
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Giovanni Bellini
Portrait of a Young Man
National Gallery of Art, Washington DC
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Giovanni Bellini
San Zaccaria Altarpiece
Church of San Zaccaria, Venice
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Giovanni Bellini
Feast of the Gods
1514
National Gallery of Art, Washington DC
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Giovanni Bellini
Agony in the Garden
1459
National Gallery, London
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Giovanni Bellini
The Presentation at the Temple
1459
Galleria Querini Stampalia, Venice
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Giovanni Bellini
Christ's Blessing
1460
Musee du Louvre, Paris
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Giovanni Bellini
Greek Madonna
1460
Brera Gallery
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Giovanni Bellini
Pieta
Brera Gallery, Milan
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Giovanni Bellini
Pesaro Altarpiece
1470's
Musei Civici Pesaro
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Giovanni Bellini
The Virgin and the Child with Two Saints
1490
Museo del Prado, Madrid
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Giovanni Bellini
Pieta1
1470's
Vatican Pinacoteca
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Giovanni Bellini
Il doge Leonardo Loredan (mk21)
1501 - 1505
Olio su tela 61.5 x 45 cm
The National Gallery,Londra
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Giovanni Bellini
Greek Madonna
1450-55Tempera
on panel.82x62cm
Pinacoteca di Brera
Milan, Italy.
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Giovanni Bellini
Pieta
1455-60
Wood panel,
52x42 cm.
Academia Carrara
Bergamo, Italy
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Giovanni Bellini
Crucifixion ew56
1455-60
Tempera on panel
54.5x30 cm. Civico
Museo Correr,
Venice, Italy
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Giovanni Bellini
Transfiguration et
1460. Tempera
on wood134x68cm
Civico Museo
Correr,Venice,Italy
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Giovanni Bellini
The Presentation in the Temple.
1460Tempera on
wood. 80x105 cm
Cverini-Stampagla
Gallery, Venice
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Giovanni Bellini
Dead Christ Supported by Angels
1460.Tempera on
panel. 74x50 cm.
Civico Museo
Correr, Venice,
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| Giovanni Bellini
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Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
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